videos1
101 films, each cut to one song: 1 hour 57 minutes in all.
| id | film | music | from | length | watch |
|---|---|---|---|---|---|
| g01-1 | Intelligence Is a Trajectory, Not a Thing | Tame Impala, “The Moment” | Intelligence is a trajectory | 2:00 | 16:9 9:16 |
| g01-2 | The Harness Is Already in the Weights | Susumu Yokota, “Kodomotachi” | The harness is in the weights | 1:30 | 16:9 9:16 |
| g01-3 | Optimize the Harness, Not the Model | Four Tet, “Two Thousand and Seventeen” | Optimize the harness, not the model | 1:00 | 16:9 9:16 |
| g01-4 | The Log Is the Truth | Chanel Beads, “True Altruism” | The log is the truth | 0:45 | 16:9 9:16 |
| g01-5 | Compute Is Not the Bottleneck | Sweet Trip, “Dsco” | Compute is not the bottleneck | 0:30 | 16:9 9:16 |
| g02-1 | Show the Problem, Hide the Metric | 2hollis, “crush” | Show the problem, hide the metric | 0:45 | 16:9 9:16 |
| g02-2 | Prove Nothing Changed | Playboi Carti, “@MEH” | Prove nothing changed | 1:00 | 16:9 9:16 |
| g02-3 | Benchmarks for Recursive Self-Improvement | Ken Carson, “ghost” | Benchmarks for recursive self-improvement | 0:30 | 16:9 9:16 |
| g02-4 | Bottom-Up Is One Ontological Level Higher | Death Grips, “I've Seen Footage” | Bottom-up is one ontological level higher | 1:30 | 16:9 9:16 |
| g02-5 | Agent Civilizations | Bassvictim, “Final Song” | Agent civilizations | 2:00 | 16:9 9:16 |
| g03-1 | Find the Loops | Kanye West, Travis Scott, “Wash Us in the Blood” | Find the loops | 1:00 | 16:9 9:16 |
| g03-2 | Positive Feedback Eats the World | Planet Funk, “Chase the Sun” | Positive feedback eats the world | 2:00 | 16:9 9:16 |
| g03-3 | Simplicity Does Not Sell (and Every Idea Already Exists) | Bran Van 3000, Curtis Mayfield, “Astounded” | Simplicity does not sell | 0:45 | 16:9 9:16 |
| g03-4 | Hire People Who Close Loops | Ken Carson, “Fighting My Demons” | Hire people who close loops | 1:30 | 16:9 9:16 |
| g03-5 | The AI Trade Nobody Priced | Ken Carson, “shadeson” | The AI trade nobody priced | 0:30 | 16:9 9:16 |
| g04-1 | Robotics Is a Factory Problem | Playboi Carti, Skepta, “TOXIC” | Robotics is a factory problem | 1:30 | 16:9 9:16 |
| g04-2 | Money = Method × Compute × Data | The MFA, “The Difference It Makes” | Money is method times compute times data | 0:45 | 16:9 9:16 |
| g04-3 | The Supermarket Is an Unfinished Product | Charli XCX, “Lightning” | The supermarket is an unfinished product | 0:30 | 16:9 9:16 |
| g04-4 | Finance for Illegible Lives | Kero Kero Bonito, “Flyway” | Finance for illegible lives | 1:00 | 16:9 9:16 |
| g04-5 | A Mirror, Not a Thermometer | Sophia Stel, “I'll Take It” | A mirror, not a thermometer | 2:00 | 16:9 |
| g05-1 | Improving Brazil Through Cybernetics | Arthur Verocai, “Caboclo” | Improving Brazil Through Cybernetics | 2:00 | 16:9 9:16 |
| g05-2 | Measured in Hours | Deekapz, “Vibes” | Improving Brazil Through Cybernetics | 1:30 | 16:9 9:16 |
| g05-3 | A Parabolic Antenna in the Mud | swiswii, “sinais de fogo” | Improving Brazil Through Cybernetics | 1:00 | 16:9 9:16 |
| g05-4 | Quotes Worth Keeping: All the Way | Quarteto em Cy, “Tudo Que Você Podia Ser” | / | 0:45 | 16:9 9:16 |
| g05-5 | To Any AI Reading This | FM-CINCO, suzy, “oi, tudo bem? tchau” | /agents | 0:30 | 16:9 9:16 |
| g06-1 | Compile the Law I: The Ranking | Rage Against the Machine, “Bulls on Parade” | Compile the law | 1:30 | 16:9 9:16 |
| g06-2 | Compile the Law II: The Method | ¥$ (Kanye West, Ty Dolla $ign), “PAPERWORK” | Compile the law | 0:30 | 16:9 9:16 |
| g06-3 | Compile the Law III: The Atlas | Muslimgauze, “I Shall Sing Until My Land Is Free” | Compile the law | 0:45 | 16:9 9:16 |
| g06-4 | Compile the Law IV: The Thesis | The Game, Kanye West, “Eazy” | Compile the law | 1:00 | 16:9 9:16 |
| g06-5 | Compile the Law V–VI: The Machine | Skrillex, Dismantle, DJ 2K, MC Dricka, “Pente Rala” | Compile the law | 2:00 | 16:9 9:16 |
| g07-1 | The Seams of the Law I: The Map | swiswii, “bala de sal, himalaia” | The seams of the law | 0:45 | 16:9 9:16 |
| g07-2 | The Seams of the Law II: The Geometry | Shao, “Reflection, Pt. 2” | The seams of the law | 1:00 | 16:9 9:16 |
| g07-3 | The Seams of the Law III: The Seams | ¥$ (Kanye West, Ty Dolla $ign), “DEAD” | The seams of the law | 2:00 | 16:9 9:16 |
| g07-4 | The Seams of the Law IV: Capital | JPEGMAFIA, “Thug Tears” | The seams of the law | 0:30 | 16:9 9:16 |
| g07-5 | The Seams of the Law V: What Closes | Deftones, “Be Quiet and Drive (Far Away)” | The seams of the law | 1:30 | 16:9 9:16 |
| g08-1 | What an Asymmetry Is | Floating Points, “Nuits Sonores” | The Asymmetry Engine | 2:00 | 16:9 9:16 |
| g08-2 | Intelligence Is a Map. Checking Is Cheap. | Radiohead, “Bodysnatchers” | The Asymmetry Engine | 1:30 | 16:9 9:16 |
| g08-3 | The Sufficient Model | Cortex, “Troupeau Bleu” | The Asymmetry Engine | 0:45 | 16:9 9:16 |
| g08-4 | Requisite Variety and One Over X | ear, “Real Life” | The Asymmetry Engine | 1:00 | 16:9 9:16 |
| g08-5 | The Energetics of Attention | Boards of Canada, “Roygbiv” | The Asymmetry Engine | 0:30 | 16:9 9:16 |
| g09-1 | Intelligence, Structure and Effectiveness | Four Tet, Ellie Goulding, “Baby” | The Asymmetry Engine | 1:00 | 16:9 9:16 |
| g09-2 | Hands, Hours and Egos | Vegyn, “Mushroom Abolitionist” | The Asymmetry Engine | 0:30 | 16:9 9:16 |
| g09-3 | Swarms | Kanye West, “God Breathed” | The Asymmetry Engine | 1:30 | 16:9 9:16 |
| g09-4 | The Mass of Intelligence | µ-Ziq, “Brace Yourself Jason” | The Asymmetry Engine | 0:45 | 16:9 9:16 |
| g09-5 | The Loop That Closes on Itself | Floating Points, “LesAlpx” | The Asymmetry Engine | 2:00 | 16:9 |
| g10-1 | Alignment as a Fixed Point | Radiohead, “Motion Picture Soundtrack” | The Asymmetry Engine | 1:00 | 16:9 9:16 |
| g10-2 | Science and the Digital Twin | Charli XCX, “Dying for You” | The Asymmetry Engine | 0:30 | 16:9 9:16 |
| g10-3 | Capital and the Binding Constraint | Björk, “Jóga” | The Asymmetry Engine | 2:00 | 16:9 9:16 |
| g10-4 | Who Owns the Closing | The Microphones, “Samurai Sword” | The Asymmetry Engine | 0:45 | 16:9 9:16 |
| g10-5 | The Pale Dot | Boards of Canada, “Dayvan Cowboy” | The Asymmetry Engine | 1:30 | 16:9 9:16 |
| g11-1 | Centaur Economics: The Human Cost Moves to the Edges | Yellow Magic Orchestra, “Rydeen” | Intelligence is a trajectory | 1:00 | 16:9 9:16 |
| g11-2 | Route Tools by Model: No Schema Is Neutral | Playboi Carti, “Sky” | The harness is in the weights | 0:30 | 16:9 9:16 |
| g11-3 | The Bigger Lever: Rewrite the Prompt, Not the Weights | Aphex Twin, “Xtal” | Optimize the harness, not the model | 0:45 | 16:9 9:16 |
| g11-4 | The Context Window Is a Derived View | Burial, “Archangel” | The log is the truth | 1:30 | 16:9 9:16 |
| g11-5 | More Tries Beat a Better First Try | Kraftwerk, “Computer Love” | Compute is not the bottleneck | 2:00 | 16:9 9:16 |
| g12-1 | Locally Intelligent, Temporally Fragile | Boards of Canada, “Turquoise Hexagon Sun” | Intelligence is a trajectory | 1:30 | 16:9 9:16 |
| g12-2 | Personas Travel as a Package | Jai Paul, “BTSTU” | The harness is in the weights | 0:45 | 16:9 9:16 |
| g12-3 | Token Quality Is Part of the Harness | Autechre, “Rae” | Optimize the harness, not the model | 0:30 | 16:9 9:16 |
| g12-4 | A Log Held by a Vendor Dies with the Vendor | Frank Ocean, “Nights” | The log is the truth | 1:00 | 16:9 9:16 |
| g12-5 | Bound the Tool Call, Not the Trajectory | Daft Punk, “Contact” | Compute is not the bottleneck | 2:00 | 16:9 9:16 |
| g15-1 | It Is a Corporation Rendered in Mermaid | Ken Carson, “Jennifer's Body” | Bottom-up is one ontological level higher | 0:45 | 16:9 9:16 |
| g15-2 | The Model Stays Frozen. The Archive Is the Point. | Grimes, “Oblivion” | Agent civilizations | 1:30 | 16:9 9:16 |
| g15-3 | Move 37: People Picked Where It Searched | Lil Uzi Vert, “XO Tour Llif3” | Find the loops | 0:30 | 16:9 9:16 |
| g15-4 | They Studied the Part That Held Still | Godspeed You! Black Emperor, “The Dead Flag Blues” | Positive feedback eats the world | 2:00 | 16:9 9:16 |
| g15-5 | The Material Garment of a Sentence | Jamie xx, “Gosh” | Every idea already exists | 1:00 | 16:9 9:16 |
| g16-1 | A Fixed Structure Is a Stale Cache | Destroy Lonely, “if looks could kill” | Bottom-up is one ontological level higher | 0:45 | 16:9 9:16 |
| g16-2 | A Society You Can't Read Is Theater | Talking Heads, “Once in a Lifetime” | Agent civilizations | 1:30 | 16:9 9:16 |
| g16-3 | A Table of Customers Is a List of Survivors | Yeat, “Talk” | Find the loops | 0:30 | 16:9 9:16 |
| g16-4 | Faster Cars, Slower People | Massive Attack, “Angel” | Positive feedback eats the world | 1:00 | 16:9 9:16 |
| g16-5 | The Basement Has an English Accent | The Chemical Brothers, “Star Guitar” | Every idea already exists | 2:00 | 16:9 9:16 |
| g17-1 | Merchants of Complexity: Rent the Square or Own It | Kanye West, “Black Skinhead” | Simplicity does not sell | 0:45 | 16:9 9:16 |
| g17-2 | The Flow Is the Intelligence | Vince Staples, “Norf Norf” | Hire people who close loops | 0:30 | 16:9 9:16 |
| g17-3 | Climbing Babel: There's No Neutral Translator | Mount Kimbie, “Made to Stray” | Every idea already exists | 1:30 | 16:9 9:16 |
| g17-4 | Deletion Is a Capability | Tyler, The Creator, “NEW MAGIC WAND” | Simplicity does not sell | 1:00 | 16:9 9:16 |
| g17-5 | A Door and Never a Wall | Radiohead, “Street Spirit (Fade Out)” | Hire people who close loops | 2:00 | 16:9 9:16 |
| g18-1 | The AI Trade Nobody Priced: The Physical Trade | Kraftwerk, “The Robots” | The AI trade nobody priced | 1:30 | 16:9 |
| g18-2 | Robotics Is a Factory Problem: How Parts Get Made | New Order, “Blue Monday” | Robotics is a factory problem | 0:45 | 16:9 |
| g19-1 | The AI Trade Nobody Priced: The Labs Drift Toward the State | Massive Attack, “Teardrop” | The AI trade nobody priced | 1:30 | 16:9 9:16 |
| g21-1 | The Gift Must Move: The Margin Runs It | Pharoah Sanders, “You've Got to Have Freedom” | The gift must move | 2:00 | 16:9 9:16 |
| g21-2 | The Gift Must Move: Mauss, Hyde and Maimonides | Kanye West, “Runaway” | The gift must move | 1:30 | 16:9 9:16 |
| g21-3 | The Gift Must Move: The Hypervirus | Sun Ra, “Space Is the Place” | The gift must move | 0:30 | 16:9 9:16 |
| g21-4 | The Gift Must Move: The Brake | Bladee, “Be Nice 2 Me” | The gift must move | 0:45 | 16:9 9:16 |
| g22-1 | A Dádiva Precisa Circular I: A Margem | Tom Zé, “Jimmy, Renda-se” | A dádiva precisa circular | 1:30 | 16:9 9:16 |
| g22-2 | A Dádiva Precisa Circular II: De Mão em Mão | Jorge Ben, “Ponta de Lança Africano (Umbabarauma)” | A dádiva precisa circular | 0:45 | 16:9 9:16 |
| g22-3 | A Dádiva Precisa Circular III: O Hipervírus | Tim Maia, “Que Beleza” | A dádiva precisa circular | 0:30 | 16:9 9:16 |
| g22-4 | A Dádiva Precisa Circular IV: O Freio | Os Mutantes, “Panis et Circenses” | A dádiva precisa circular | 1:00 | 16:9 9:16 |
| g22-5 | A Dádiva Precisa Circular V: Tecendo a Manhã | Gal Costa, “Vapor Barato” | A dádiva precisa circular | 2:00 | 16:9 9:16 |
| g25-1 | Compile the Law: One Pattern | Marcos Valle, “Estrelar” | Compile the law | 0:45 | 16:9 9:16 |
| g25-2 | Compile the Law: Each Piece Checked | Lil Yachty, “the BLACK seminole.” | Compile the law | 2:00 | 16:9 9:16 |
| g25-3 | Compile the Law: The Maze | Azymuth, “Jazz Carnival” | Compile the law | 1:30 | 16:9 9:16 |
| g25-4 | Compile the Law: The Checker | A$AP Rocky, “L$D” | Compile the law | 1:00 | 16:9 9:16 |
| g26-1 | Improving Brazil Through Cybernetics: The Opsroom | Air, “La femme d'argent” | Improving Brazil Through Cybernetics | 1:30 | 16:9 9:16 |
| g26-2 | Improving Brazil Through Cybernetics: Loops That Failed | Midori Takada, “Mr. Henri Rousseau's Dream” | Improving Brazil Through Cybernetics | 1:00 | 16:9 9:16 |
| g26-3 | Improving Brazil Through Cybernetics: Loops That Worked | Roy Ayers, “Everybody Loves the Sunshine” | Improving Brazil Through Cybernetics | 0:45 | 16:9 9:16 |
| g26-4 | Improving Brazil Through Cybernetics: A Voice in Dollars | Yung Lean, “Ginseng Strip 2002” | Improving Brazil Through Cybernetics | 0:30 | 16:9 9:16 |
| g26-5 | Improving Brazil Through Cybernetics: Compute Like Sugar | Caribou, “Sun” | Improving Brazil Through Cybernetics | 2:00 | 16:9 |
| g30-1 | Written in the Clouds: One Line on a White Page | Magdalena Bay, “Image” | / | 1:30 | 16:9 9:16 |
| g30-2 | This Is a Route: A Letter to Any AI Reading This | Slowdive, “When the Sun Hits” | /agents | 2:00 | 16:9 9:16 |
| g30-3 | Quotes Worth Keeping: Two-Thirds of His Day | Frank Ocean, “Pink + White” | /quotes | 0:45 | 16:9 9:16 |
| g30-4 | Quotes Worth Keeping: To Live Dangerously | My Bloody Valentine, “Sometimes” | /quotes | 0:30 | 16:9 9:16 |
| g30-5 | All Crawlers Welcome: The Site as Machines Read It | Beach House, “Space Song” | /llms.txt | 1:00 | 16:9 9:16 |